On October 27, 2021 was held an experience sharing around the theme "how to make reading a hobby in your little one?" The organizer of the activity Nadine Mekougoum, sociologist and promoter of Harambee Africa shared her experience on the issue, on the Facebook page, Parents 2.0. She focused on her experience gained through exchanges with some families and her active participation in the Read'arts workshops. She came up with a few tips that parents can use.

The problem is that, unfortunately, those that write in African languages remain invisible, their works are hardly ever reviewed or translated. Publishing venues are limited and getting published is one of the most infuriating challenges of writing in African languages. There are hardly any publishing houses devoted to African languages. So writers in African languages are writing against great odds: no publishing houses, no state support, and with national and international

While it’s important for everyone to read literature from around the world, if you are of African descent, it’s a great idea to give your child an understanding of the various cultures in the continent early in their life. This is especially important if you don’t live in the continent currently. With that being said, here are five African children’s books that we recommend.

Skin We Are In is a landmark South African book for children (and grown-ups) on the subject of skin colour. Published in 2018, it was co-authored by an artist and a scientist, both South African luminaries – the author Sindiwe Magona and the anthropologist and palaeobiologist Nina Jablonski. Here they talk about how – and why – the book came about.

Considered the first Queen Mother of Benin, Idia was the mother of Esigie, the Oba (king) of Benin between 1504 and 1550. A great warrior and wise queen, she is believed to have saved the entire kingdom of Benin in a time of war and turmoil. Thanks to Nigerian-Canadian author Ekiuwa Aire, children can now relive the highly revered Nigerian queen’s story from a real African perspective.

Sisulu says the best marketing for a book is other people’s opinions, and thus the foundation’s website is a review hub and search engine for children’s books in South Africa’s 11 languages. On the site are a range of picture books, fables and tales, poetry, rhymes and riddles as well as educational books (fiction and nonfiction). Puku also stages a number of events such as the Puku Story Competition and the Story Festival.

But in thinking about the books that I read while growing up and the books that I’ve researched, I keep asking myself: where are all the African children’s literature writers? Why aren’t there more books being produced? Have we, as African writers, moved away from this pride and responsibility of rearing conscious, confident, and self-aware African children?